Side B commences with the expansive palette of “The Camera Eye,” a multi-layered, ten-minute-long travelogue that takes a bird’s eye view of the inherent hustle and bustle of New York City counterbalanced with the intense energy and deep-rooted history of London. Side A closes out with the observational luminescence of “Limelight,” a timeless, if not prescient look at how introverted artists grapple with public demands while trying to maintain a personal level of earned privacy.
#RUSH CLASSIC ALBUMS CODE#
The instrumental barnburner “YYZ,” lovingly named after the airport identification code for Toronto’s Pearson International Airport, runs the gamut of the band’s forever impressive progressive chops in under four minutes flat.
Next, the band shifts into the multi-generational dreamscape of “Red Barchetta,” which chronicles the thrills and chills of a high-stakes backroads car race. The album’s lead-off track, “Tom Sawyer,” became one of Rush’s most cherished FM favorites in addition to taking its rightful place as a perpetual concert staple for decades to come. Moving Pictures was also the second of many Rush recording sessions at Le Studio in Morin-Heights, Quebec, which was ultimately nicknamed the trio’s own personal Abbey Road recording studio. The album’s seven songs expertly blended Rush’s intrinsic prowess for channeling its progressive roots into radio-friendly arrangements, a template the band had mastered to a T all throughout its previous album, 1980’s deservedly lauded Permanent Waves. Moving Pictures, Rush’s eighth studio album, was originally released on February 12, 1981, and its adventurous yet accessible music catapulted the forward-thinking Canadian band to even newer heights as it began navigating the demands of a new decade. Moving Pictures-40th Anniversary will be available to fans in six distinct configurations, including the (1) Super Deluxe Edition, (2) three-CD Deluxe Edition, (3) five-LP Deluxe Edition, (4) one-LP Edition, (5), Digital Deluxe Edition, and (6) Dolby Atmos Digital Edition and can be pre-ordered and pre-saved, HERE
#RUSH CLASSIC ALBUMS SERIES#
LOS ANGELES, CA – Februor in Rush dates, – On April 15th, UMe/Mercury and Anthem Records label groups continue the extensive Rush 40th anniversary album series with new, expanded editions of the band’s groundbreaking 1981 release, Moving Pictures, embodying its well-deserved classic album status. Watch The ‘Moving Pictures-40th Anniversary’ Unboxing Video, HERE STEP INTO THE LIMELIGHT WITH RUSH’S ‘MOVING PICTURES’Ĭommemorate the classic album’s 40th anniversary with expanded reissues on April 15th The impact of this album on me is such that, when holidaying in Wales one year, I had to go to see Rockfield Studios just to say I’d been where Farewell, and a good many other great albums, in fairness, were recorded.Friday, February 11th, 2022 Moving Pictures 40th Anniversary Release However I don’t like that they’ve messed with the quite wonderful original cover art and, from what I understand, the vinyl is unchanged from the Abbey Road remastered 2015 version in any case. Seen here as a 2015 Direct Metal Master reissue on Mercury, on 200gram vinyl, the sonics are quite incredible and proof, once again that, when properly handled, today’s reissues often top the original when taken as a whole.įarewell To Kings was subsequently issued again as a 40th anniversary package. Each song is of such high quality, with Xanadu and Cygnus X-1 being really dramatic epics and most definitely high up in any Rush devotee’s top track list. I’m not a particular fan of what Rush became after Moving Pictures, and if pushed to name a favorite LP, I think I’d pick this one.Īlthough it’s not a concept album, it has that kind of gravitas. Very 1970s in its overall mood, motifs and fantasy themes, Farewell was very much of its time, yet to these ears it’s as fresh as that first listen. Multi, multi-layered and featuring the then fast maturing master musicianship of Messrs Lee, Lifeson and Peart. The follow up to the incredible 2112, and recorded in Wales at the legendary Rockfield Studios, AFTK was, for me, the moment when the band’s awesome potential was fully realised. The first viewing of that video was something I’ll never forget.
Utterly blown away, I bought Farewell at the very first opportunity. The incredible 11 minute Xanadu was featured on an Old Grey Whistle Test show fairly soon after the album’s 1977 release. This is one of those albums that I couldn’t imagine being without.
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